A series of prints, unfinished works or sketchbook pages usually created before or alongside another project to understand composition, colours and general mood. 'Playground of errors' is an archive of all the relevant visual research and drawings etc. divided into their respective projects
Visual research and processes for "Now where? // 'Here for Now.'
Above: Visual research exploring object narration, object permanence and lived spaces left behind as ‘negative space’. Trials include wax sculpture of milk carton, drawings, collages, latex experiments, compositional studies and experimentation on the metaphor of ‘negative space’. Research involved quantum tunneling, ‘a passing of information’ between barriers, like memories left in a space after someone has left, or visible under-layers of a painting shining through. All images 2024.
Visual research and processes for paintings 'My walls cast their sh...' and 'Doll parts'
Self portrait, oil on wooden board, 2025 Work in progress
Detail
'Growing pains' Oil on jute, 2025 Work in progress
Visual inspiration and research
Sketchbook page
process
Above: Research linking to the body and different aspects such as; body as a container (and research on different types of containers), body as a space of its own, an object thatis filled and fills other spaces, a place of transformation, something that can control or be controlled. The body as something equally passive and active, equally subjective and objective. Images from 2023, 2024, 2025
Development and trials for 'Print series'
Detail from Artist book 2024
Print trials and sketchbook drawings using different methods, again focusing on the passage of information as something tactile, a process. (see more on 'Print series' and 'Channel'
Visual research for 'Channel'
Process before painting 'Channel' which started from words. Through a writing exercise these words were distilled and transformed into poetry, that then informed the sketch (bottom left), which in turn became the embroidery (bottom right), that was finally turned into the skirt seen above and in the painting. More information on the thought process and research behind can be found on the 'Channel' page
